Capella Cracoviensis at St Catherine’s Church

Thursday, July 27, 2017, 8:00 PM

  • Thursday, July 27, 2017, 8:00 PM
  • Thursday, August 3, 2017, 8:00 PM
  • Thursday, August 10, 2017, 8:00 PM
>

Musica sacra, that is sacral music resounding at its right place – Capella Cracoviensis offers this cycle to its listeners on Thursday summer evenings. The scenery of the concert is the Gothic Church of St Catherine in Kraków’s Kazimierz district. During the concerts, we will hear Renaissance and Baroque psalms, cantatas and motets, Monteverdi’s Missa in illo tempore, marking the most important link between the composer and the Franco-Flemish polyphonic tradition, and contemporary works by Arvo Pärt, inspired by Gothic chants.

27 July 2017, 8pm
Architekci oświecenia

Thomas Stoltzer Erst wird erfreut mein trauriges Herz
Bartłomiej Pękiel Audite mortales
Johann Kuhnau Gott sei mir gnädig nach Deiner Güte
Thomas Stoltzer Laudate Dominum
Johann Kuhnau Ich freue mich im Herrn
Johann Sebastian Bach Christ lag in Todesbanden BWV 4
Heinrich Schütz Herr unser Herrscher aus Psalmen Davids
Thomas Stoltzer So wünsch ich Ihm ein gute Nacht

Michalina Bienkiewicz, Joanna Radziszewska (soprano)
Dorota Dwojak-Tlałka, Inga Jäger (alto)
Karol Kusz, Krzysztof Mroziński (tenor)
Jacek Ozimkowski, Sebastian Szumski (bass)
Capella Cracoviensis on period instruments: Agnieszka Świątkowska, Elżbieta Górka (violin), Mariusz Grochowski, Teresa Wydrzyńska (viola), Kamila Marcinowska-Prasad (bassoon)

3 August 2017, 8pm
Missa in illo tempore

Girolamo Frescobaldi Toccata 1a, Roma 1615
Claudio Monteverdi Kyrie – Gloria (Missa in illo tempore)
Girolamo Frescobaldi Canzona 2a, Roma 1637
Claudio Monteverdi Credo (Missa in illo tempore)
Girolamo Frescobaldi Recercar dopo il Credo, Venezia 1635
Claudio Monteverdi Sanctus – Benedictus (Missa in illo tempore)
Girolamo Frescobaldi Canzona 1a, Roma 1627
Claudio Monteverdi Agnus (Missa in illo tempore)
Girolamo Frescobaldi Toccata 10a, Roma 1615

Capella Cracoviensis:
Magdalena Łukawska, Antonina Ruda (soprano)
Helena Poczykowska, Łukasz Dulewicz (alto)
Piotr Szewczyk, Szczepan Kosior (tenor)
Marek Opaska (bass)
Yves Bilger (positive organ/lead)

10 August 2017, 8pm
The Woman with the Alabaster Box

Arvo Pärt Nunc dimittis, Tribute to Caesar, Solfeggio, Triodion, The Deer’s Cry, Morning Star
Paul Hindemith Sonata Op. 25 No. 1
Arvo Pärt Da pacem, Which Was the Son of…, Most Holy Mother of God, The Woman with the Alabaster Box

Capella Cracoviensis:
Michalina Bienkiewicz, Magda Łukawska, Antonina Ruda (soprano)
Łukasz Dulewicz, Dorota Dwojak-Tlałka, Helena Poczykowska (alto)
Karol Kusz, Krzysztof Mroziński, Piotr Szewczyk (tenor)
Jerzy Butryn, Marek Opaska, Sebastian Szumski (bass)
Mariusz Grochowski (viola)
Jan Tomasz Adamus (lead)

Church of St Catherine and St Margaret

ul. Augustiańska 7

Here, local history is perfectly intertwined with that of the nation: its heyday and tragedies, highs and lows. From its earliest days – intermittently, though – St Catherine’s Church has been in the care of the Augustinian Order.

The church owes its origin to fairly dramatic circumstances, a tale that includes lechery, crime, a curse, and royal penance. The soft spot King Casimir the Great (Kazimierz Wielki) had for the fairer sex was denounced by the Bishop of Kraków, Jan Bodzanta, who sent his envoy in the person of the cathedral vicar, Marcin Baryczka to admonish the king about the matter. The enraged monarch had the messenger drowned in an ice-hole in the Vistula. Repenting his deed, the king later turned to Pope Clement VI to lift the anathema. The Holy Father absolved him and ordered an appropriate penance: the construction of a number of churches, including that of St Catherine and St Margaret in Kraków in the place where the body of the drowned priest surfaced. This is how the bishop’s curse indirectly contributed not only to Kraków but also to Polish sacred architecture.

The King entrusted the construction of the Gothic church (around 1343) to the Augustinian Order, which has retained custody of the building to this day. Although the construction was never finished (originally, the edifice was to be 12.5 m (41 ft) longer, the planned towers were never fully built, nor has the façade been finished), earthquakes destroyed, among others, the roof and ceiling of the chancel, and floods and fires raged in the church, it has retained its magnificent Gothic character. Adjacent to the south is a porch and the Chapel of St Monica (mother of St Augustine) in what was to be the ground floor of one of the towers, doubling as a place of prayer of the Augustinian nuns from the convent on the other side of Skałeczna Street. The covered walkway that connects the two structures provides a characteristically picturesque accent.

The process of restoring the church, terminated after the third partition of Poland and designed among others for military storehouses, began in the mid-19th century, and – with only short breaks – continues into our times.

Linked to St Catherine’s is the story of a Kraków monk, Isaiah (Izajasz) Boner. Allegedly, the power of this servant of God (the process of his beatification is still far from completed) is capable of unmasking women of easy virtue. For it so happened that when the “shameless wenches” visiting the grave of Isaiah stood on the slab of his grave, a tremor ran through it, which is how the saint disclosed their profession.

In our times, members of the congregation visiting the church on the 22nd day of each month are often seen carrying a rose that they lay down by the sculpture and relics of St Rita, the patron saint of hopeless cases, for whom a rose would always blossom (even in winter) in the garden of the Convent of the Augustinian Nuns in Cascia, bringing relief from suffering and illness.

Be sure to see:

  • late-renaissance tomb of Spytek Jordan in southern aisle
  • spacious cloisters with 15th and 16th-century paintings and epitaphs
  • Our Lady of Consolation, a 16th century mural, one of Poland’s oldest miraculous images of the Blessed Virgin (the chapel in the cloister)

OK We use cookies to facilitate the use of our services. If you do not want cookies to be saved on your hard drive, change the settings of your browser.