Tyniec Organ Recitals
Sunday, July 14, 2019, 4:00 PM
The Benedictine Abbey in Tyniec captivates with its history going back a millennium, beautiful setting on the banks of the Vistula and, in the summer months, music. For the 45th time, the Tyniec Organ Recitals showcase the musical abilities of the abbey’s instrument, accompanied by accordion, soprano, cello and gospel choir.
14 July 2019, 4pm
Filip Presseisen – organ
Mateusz Pliniewicz – violin
Programme:
Johann Sebastian Bach – Preludium and fuga Es-dur BWV 552
Max Reger – Preludium Morgenglanz der Ewigkeit op. 79b no. 4
Filip Presseisen – Improvisation Morgenglanz der Ewigkeit
Mateusz Pliniewicz – Improvisations
Ferenc Liszt – Variations Weinen, Klagen, Sorgen, Zagen S. 180
28 July 2019, 4pm
Artur Szczerbinin – organ
Tomasz Sobaniec – marimba, darabukka, percussion instruments
Programme:
Wojciech Widłak – Psalm
Evelyn Glennie – A little Prayer
Adolf Friedrich Hesse – Preludium and fuga d-moll
Johannes Brahms – Herzlich tut mich verlangen op. 122 no. 10
Dieterich Buxtehude – Ciaconna e-moll BuxWV 160
Felix Mendelssohn-Bartholdy – Sonata A-dur op. 65 no. 3, Con moto maestoso, Andante tranquillo
Dieterich Buxtehude – Komm, Heiliger Geist Bux WV 199
Tomasz Sobaniec – Hiroshima
Johann Sebastian Bach – Toccata E-dur BWV 566
11 August 2019, 4pm
Marek Stefański – organ
Krakowskie Akademicki Chór Organum
Zespół Instrumentalny Ricercar
Bougsław Grzybek – conductor
Program:
Dieterich Buxtehude – Partita F-dur BuxWV 238
Johann Ludwig Krebs – Prelude Sei gegruesset Jesu guetig
Johann Ludwig Krebs – Fantasia G-dur
Andrzej Rohaczewski – Canzon a'4
Kancjonał Staniątecki – 2 Pastorelle: Wesoły nam, Dzieciątko dostojne
Grzegorz Gerwazy Gorczycki – In virtute tua, Nunc dimittis
Stanisław Moniuszko – I Litania Ostrobramska, part: II, IV (soprano solo: Wiktoria Bisztyga)
Feliks Nowowiejski – Symfonia g-moll op. 45 no. 2 part I Preludio festivo
25 August 2019, 4pm
Tomasz Soczek – organ
Finesis Trio: Katarzyna Puch – soprano; Małgorzata Włodarczyk – guitar, lute; Paulina Tkaczyk – harpsichord
Program:
Nicolaus Bruhns – Praeludium in e
Johann Sebastian Bach – Concerto a-moll Antonio Vivaldiego BWV 593
Joseph Haydn – Flötenuhrstücke: no. 2 C-dur, no. 3 C-dur, no. 13 F-dur, no. 30 G-dur
Georg Friedrich Händel – No se emenderá jamás HWV 140: Arie, Recitativo, Allegro
José Bragato – Ave Maria Andina
Monumentos de la Música Española XLVII – Musica Barroca Española:
Giovanni Stefani – Vuestra belleza, señora
Anónimo – Todo eres contradicciones
Sebastián Durón – Abril floreciente
Gabriel Bataillé – El baxel está en la playa
Marco Enrico Bossi – Pièce héroïque op. 128
Jehan Alain – Variations sur un thème de Clément Jannequin
Louis Vierne – Toccata b-moll op. 53 no. 6
Benedictine Abbey in Tyniec
ul. Benedyktyńska 37
Tyniec used to be a day’s journey from Kraków, today we reach it in less than an hour on a bus or on a bike, taking a beautiful cycle path. The charm and tranquillity of the place attract throngs of tourists and pilgrims alike. Amidst this silence and reflective prayer, the monks follow the motto of St Benedict: ora et labora…
Situated on a limestone promontory, the monastery looks more like a mediaeval fortress than a church. Little wonder: right from the start, the Benedictine Abbey in Tyniec doubled as a fortress. It is highly likely that the area was inhabited by the Celts a thousand years before the Order of St Benedict arrived in the place. The first monks came here in the mid-11th century. Tyniec enjoyed plenty of favours from local rulers, many of whom were kings of Poland, and there are many arguments to support the claim that it was a medieval economic power. One of them is the nickname given to the abbot: “the abbot of a hundred villages”.
Although the church received stout fortifications in the 13th century, they could not save it from destruction: it was burnt down when the Tatars invaded the Polish lands. Its heyday came in the 15th and 16th centuries. In later years, the monastery was thoroughly rebuilt, and had the characteristic façade with two towers added. In 1816, that is during the era when Poland was partitioned, the Austrians dissolved the Order, and the Benedictines were forced to leave the Abbey. From that time on Tyniec changed hands many times, falling more and more into ruin. No one seemed to care for its fate until the Archbishop of Kraków, Prince Adam Stefan Sapieha, brought back the Benedictine Order from Belgium in 1939. One final time when the abbey acted as a fortress was in 1945, when much like in Monte Cassino, in southern Italy, which was defended by German forces against the Allies, the monastery likewise was held against the Red Army.
The only road into the Abbey leads through “the castle”, that is the 16th-century building of the abbot’s quarters. In the spacious courtyard behind it, the bygone abbots used to welcome eminent guests. The monastic complex includes a library that until the restoration completed in 2008 used to be known as the Great Ruin. Today it houses the Benedictine Institute of Culture. In its exhibition space, you can admire historical artefacts: fragments of Romanesque and Gothic stonework, and elements of the arcades of the original cloister. The Church of St Peter and St Paul situated within the monastery is a three-aisled basilica with baroque furnishing. Entering, spare a moment to look at the elaborate iron latch in the shape of a fish: one of the symbols of Christ.
St Peter and St Paul’s Church:
- gothic chancel,
- rococo high altar of black marble,
- baroque pulpit in the shape of a boat,
- 16-century murals presenting The Magi.
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