5th St Mary's Organ Festival

Tuesday, July 16, 2019, 8:00 PM

  • Tuesday, July 16, 2019, 8:00 PM
  • Thursday, July 18, 2019, 8:00 PM
  • Tuesday, July 23, 2019, 8:00 PM
  • Friday, July 26, 2019, 8:00 PM
  • Tuesday, July 30, 2019, 8:00 PM
  • Thursday, August 1, 2019, 8:00 PM
  • Tuesday, August 6, 2019, 8:00 PM
  • Thursday, August 8, 2019, 8:00 PM
>

St Mary's Organ Festival is about more than musical evenings at Kraków’s most famous church: it’s also about a timeless dialogue of epochs and confrontations of the sound of the organ with a variety of other instruments (including the human voice). Witold Zalewski is joined by the vocal ensemble Cappella Marialis with a repertoire spanning almost five centuries (16 July), while Hanna Dys performs in a duo with violinist Maria Perucka with works by Handel, Beethoven and Tchaikovsky (23 July). The fascinating concert by Roman Perucki and flautist Łukasz Długosz features works by Bach and Gluck (27 July), while the creative collaboration between Bogdan Narloch and trumpeter Roman Gryń includes an intriguing arrangement of Chopin’s Etude op. 10 no. 3 (30 July). Other performers include Filip Presseisen and baritone Marcin Wasilewski-Kruk (18 July), Gail Archer, Marek Pawełek and soprano Jolanta Kowalska-Pawlikowska (1 August), Elżbieta Karolak and oboist Tomasz Gubański (6 August) and James Bowstead, Thomas Moore and the Wakefield Cathedral Choir (8 August).

16 July, 8pm
Witold Zalewski - organs
Cappella Marialis of St Mary’s Church
Krzysztof Michałek - conductor
Programme consists of folowing works:
Dietrich Buxtehude - Prelude fis BuxWV 146
Jan Podbielski - Prelude
Mikołaj of Kraków - Preambulum in F
Wincenty Rychling - Toccata
Wacław of Szamotuły - Ego sum pastor bonus
Mikołaj Gomółka - O Ye Mighty, Let Us Clap Our Hands
William Byrd - Ave verum
Aleksander Namysłowski - Fantasy Wawel
Feliks Nowowiejski - Parce Domine
Felix Mendelssohn Bartholdy - Sonata No. 2 in C minor op. 65 (Grave-Adagio, Allegro maestoso e serioso, Fuga. Allegro moderato)
Edward Bairstow - I Sat Down Under His Shadow
Edward Elgar - O salutaris Hostia
Léon Boëllmann - Suita Gotycka, op. 25 (Menuet gothique, Prière à Notre-Dame)
Krzysztof Michałek - Ave Maria
Johann Sebastian Bach - Toccata and fugue in D minor BWV 565 

18 July, 8pm
Filip Presseisen - organs
Marcin Wasilewski-Kruk - baritone
Programme consists of folowing works:
Felix Mendelssohn-Bartholdy - Prelude and fugue in As major op. 35 no. 4
Stanisław Moniuszko - Ad Te Domine, O Ruler of the World, Voice of the Winds
Carl Gustav Flügel - Choralvorspiel O daβ ich tausend Zungen hätte
Stanisław Moniuszko - Kiedy ci chmury nad głową się zbiorąThe Lord's Prayer
Max Reger - Choralvorspiel Morgenglanz der Ewigkeit op. 79b no. 4
Stanisław Moniuszko - Cześć Tobie, naszej krainy patronie
Filip Presseisen - Improvisations upon Moniuszko songs
Stanisław Moniuszko - Our Father

23 July, 8pm
Hanna Dys- organs
Maria Perucka - violins
Programme consists of folowing works:
Georg Friedrich Händel - Sonata in A major op.12 no. 5
Johann Sebastian Bach - Vater unser im Himmelreich BWv 683, Prelude in G major, BWV 668
Ludwig van Beethoven - Romance in G major op. 40
Feliks Mendelssohn-Bartholdy - Allegro in D major
Robert Schumann - Studien fuer den Pedalflügel op. 56: No. 4 Innig, No. 5 Nicht zu schnell
Piotr Czajkowski - Meditation op.42 no. 3

26 July, 8pm
Roman Perucki - organs
Łukasz Długosz - flute
Programme consists of folowing works:
Johann Sebastian Bach - Sonata in E major BWV 1035
Johann Sebastian Bach - Wachet auf ruft uns die Stimme BWV 645
Christoph Willibald Gluck - Aria Che faro senza Euridice
Marco Enrico Bossi - Intermezzo lirico
Chaminade Cécile - Meditation
Friedrich Wilhelm Markull - Sonata upon Nun danket alle Gott (Allegro moderato, Andantino, Vivace Finale)
Johann Sebastian Bach - Toccata and fugue in D minor BWV 565

30 July, 8pm
Bogdan Narloch - organs
Roman Gryń - trumpet
Programme consists of folowing works:
Jeremiah Clarke - The Prince of Denmark's March
Johann Sebastian Bach / Antonio Vivaldi - Concerto in D major BWV 972 (Allegro-Larghetto-Allegro)
Felix Mendelssohn-Bartholdy - Prelude and fugue in D minor op. 37 no. 3
Henry Purcell - The Queen's Dolour
Jan of Lublin - RexKing's Dance
Mieczysław Surzyński - Capriccio Fis minor op. 36
Frédéric Chopin - Étude op. 10 no. 3
Luigi Spohr - Offertorio
Karol Kurpiński - Cavatina

1 August, 8pm
Gail Archer - organs solo
Marek Pawełek - organs
Jolanta Kowalska-Pawlikowska - soprano
Programme consists of folowing works:
Marcin Józef Żebrowski - Suscepit Israel of Magnificat
Johann Sebastian Bach - Quia respexit of Magnificat BWV 243
Antonio da Cabezon - Diferencias sobre el canto llano del Caballero
Girolamo Cavazzoni ok. - Ricercar
Heinrich Scheidemann - Preludium in D
George Friedrich Händel - Haec est Regina HWV 235
Jan Pieterszoon Sweelinck - Est-ce Mars
Joseph Haydn - Salve Regina E-dur Hob XXIIIb, I pt.
Girolamo Frescobaldi - Capriccio sopra il cucho
Vincenzo Bellini - Salve Regina
Dieterich Buxtehude - Prelude in G BuxWV 163
César Franck - Ave Maria
Charles Gounod - Ave Maria

6 August, 8pm
Elżbieta Karolak - organs
Tomasz Gubański - oboe
Programme consists of folowing works:
Johann Sebastian Bach - Sinfonia of cantata Ich stehe mit einem Fuβ im Grabe BWV 156
Dietrich Buxtehude - Prelude, fugue and ciacona C major BuxWV 137
Tomaso Albinoni - Concerto in C major for oboe and organs op. 7 no. 12 (Allegro, Adagio, Allegro)
Johann Sebastian Bach - Komm Gott, Schöpfer, Heiliger Geist BWV 667
Wolfgang Amadeus Mozart - Fantasy in D minor KV 397
Gabriel Fauré - Piece, Romance sans paroles op. 17 no. 3
Felix Mendelssohn Bartholdy - Sonata No. 5 in D major op. 65 (Andante,  Andante con moto, Allegro maestoso)

8 August, 8pm
Wakefield Cathedral Choir 
Thomas Moore organs solo, conductor
James Bowstead - organs
Programme consists of folowing works:
Jacques-Nicolas Lemmens - Fanfare
Hubert Parry - I Was Glad
Charles Villiers Stanford - Beati quorum via
César Franck - Panis Angelicus
Johann Sebastian Bach - Bleib bei uns
César Franck - Prelude, fugue and H minor variations
Louis Vierne - Lied
William Byrd - Ave verum corpus
George Friderik Handel - Zadok the Priest

Entrance for each of concerts: fundraising card - PLN 30, available for presale in cash desk of St Mary's Church or in the vestibule of the church in the day of concert from 7pm.

St Mary’s Church

Rynek Główny 5

A history spanning over eight centuries, a high altar by Veit Stoss (Wit Stwosz), a bugle call, the star strewn murals by Jan Matejko covering the vaulting: all this in a single church! Moreover: in the very centre of Kraków!

The first church was raised in this place even before the chartering of Kraków; it fulfilled the function of the main parish church of the city since 1222. Its pre-charter pedigree explains why the Basilica (Church) of St Mary is situated at an angle towards the axis of the Main Market Square: simply, when the first edifice was being constructed, the Main Market Square did not yet exist! Now its Romanesque remnants are hidden 2.6 m (9 ft) deep under the floor of today’s church, together with elements of a later, early-Gothic one.

The body of the church that we can admire to this day dates back to the second half of the 14th century. The initiator of the transformation was a rich merchant, Mikołaj Wierzynek, who founded an impressive chancel. The three-aisled corpus was appended later, and fronted from the west (i.e. from the side of the Main Market Square) with two towers of different height. In the 15th and 16th centuries the church was surrounded by side chapels, and in the mid-18th century its main entrance received a porch designed by Francesco Placidi, a Roman architect and sculptor, considered the greatest artist of the late baroque.

It’s worth starting your visit to St Mary’s by admiring the exterior. On the outer walls you will find many epitaphs to Kraków burghers: relics of the parish cemetery that used to surround the church until the end of the 18th century (see: St Mary’s Square).

Now it is time to turn your gaze upwards and savour the towers. The taller one, standing 81 m (266 ft) tall is crowned with a magnificent late-Gothic spire. Known as the guard or bugle call tower (strażnica, hejnalica), it has always belonged to the city: from the late Middle Ages a guard kept watch from its top day and night, looking for fires, enemies approaching Kraków, and other potential dangers. His duties also included playing the bugle call on a trumpet; initially at dawn and dusk only, to signal the opening and closing of the city gates, and from the 16th century onwards – on the hour, every hour, to mark the time. The bugle call became the musical symbol of Kraków and it resounds from the tower to this day: it is played to the four sides of the globe on the hour all day long. Yet, why does the melody break off mid-note? Legend has it that a guard began to sound the alarm having noticed the approaching Tatar hordes. He managed to warn the city of the attack, yet his throat was pierced by a Tatar arrow while playing. This is the reason why the melody of the bugle call ends so suddenly: precisely when the heroic guard stopped playing it.

The other, lower tower (69 m/226 ft) contains a complex of five bells, the oldest of which, the Pół-Zygmunt, dates back to the 15th century. Tradition has it that the strongman Stanisław Ciołek carried it up to the tower without any assistance.

The difference between the height of the two towers, finding no justification in the plans of the architects, is explained by another legend. They were built by two brothers. When the younger one realised that his was neither as high nor as beautiful as the other tower, he got hold of a knife and killed his elder brother in envy. Yet remorse plagued him: on the day of the consecration of the church, he thrust the very same knife into his heart and jumped, or fell, from the top of the church tower. The knife he purportedly used can be seen hanging in the Cloth Hall to this day, recalling that sombre story.

On the southern wall of St Mary’s, outside, just by the entrance, you can see iron rings called kuny that were fastened around the necks of sinners. You could find yourself clamped in these for adultery, drunkenness, evading promised marriage, failure to observe fasts, working on Sunday and church holidays, and even for petty theft. People locked up here could be freely mocked and jeered at by those entering the church, so many locals breathed a sigh of relief when this church penalty was withdrawn (albeit very late: in the 18th century!). It is worth letting yourself be placed in the kuny of your own free will: they say that it is a way to secure luck and constancy in love for yourself.

The church, being the main parish of the city, enjoyed the support and protection of opulent burger families, and therefore you can find many precious works of art and relics of the Kraków patriciate within.

The most important precious object in St Mary’s is its high altar, the masterpiece of Veit Stoss (Wit Stwosz) and the greatest achievement of late mediaeval sculpture. Its history began with a masonry disaster: in 1442, the vaulting of the chancel of St Mary’s caved in and fell, destroying the altar. At the time, city councillors decided to build a new one, worthy of the capital city. They chose the contractor: Wit Stwosz, a sculptor living in Nuremberg. The commission brought the artist riches, plenty of clientele, and eternal fame. For his work, the sculptor received the staggering sum of 2808 florins, which was equivalent to the city’s annual budget! The monumental altar was built from 1477 to 1489. Its structure, made from oak and limewood, is 13 m high and 11 m wide (36 × 43 ft). The figures in the main scene portraying the Dormition of the Blessed Virgin Mary surrounded by apostles are nearly 3 m (10 ft) tall. The two moving and the two fixed wings of the altar are filled with scenes from the life of Jesus and His Mother, altogether encompassing over 200 figures carved from limewood blocks. The predella (the base of the altar) is a depiction of the Tree of Jesse, that is the genealogy of Mary and Jesus, while the whole structure is crowned by a scene of the coronation of the Blessed Virgin and figures of the patron saints of Poland: St Adalbert (Voitek) and St Stanislaus. Apart from its stunning beauty, the unique features of St Mary’s altar also include realism. Stwosz gave the figures the features of his contemporaries, rendering all the details rather than only the most beautiful ones: some palms are disfigured with rheumatism and hard work, the hair on some skulls is visibly thinning, and veins can be seen clearly under the taut skin.

Our attention is also riveted by the 19th-century polychrome murals: the work of master Jan Matejko (the starry skies are another of his ideas) and his students, including Stanisław Wyspiański and Józef Mehoffer, eminent designers of the stained glass decorations in the window of the western wall.

Be sure to see:

  • mediaeval stained glass decorations (in the apse of the chancel)
  • ciborium: a Renaissance work of the sculptor Giovanni Maria Padovano, consisting of a tabernacle for the communion bread (the host) and its architectural setting (where the chancel meets the southern wing of the transept).
  • Slacker’s Crucifix chiselled in stone by Wit Stwosz to the order of the royal supervisor of the mint, Henryk Slacker. This austere, naturalist representation of the Saviour on the cross has for centuries been famous for its graces. In the 15th century, Christ spoke to Świętosław Milczący (the Silent),a monk who prayed at the foot of the crucifix, and admonished him not to neglect the singing of the psalms (in the southern wing of the transept)
  • the bell of the dying: it was rung at the moment of somebody’s death to instil the soul of the dying with peace, and to soothen the pain of death (the external wall of the lower tower)


Tickets: PLN 10/5

Opening hours for visitors (entrance from Mariacki Square):
Mon-Sat 11:30am-6pm (opening of the High Altar at 11:50am)
Sun and public holidays 2pm-6pm (the altar remains open throughout the day)

Half of the church, including the chancel and the high altar, is open to visitors. The other half of the church (accessible through the main entrance) is designed for personal prayer, and accessible throughout the day free of charge.

Visiting the taller tower of St Mary’s

1 April – 31 October (with the exception of church holidays)
Tue-Sat 9:10am-5:30pm (every 30 minutes, with a break from 11:30am to 1:10pm)
Sun 1pm-5:30pm (every 30 minutes)entrance from the mouth of ul. Floriańska street
Tickets (PLN 15/10) are available from the counter at 7 Mariacki Square

OK We use cookies to facilitate the use of our services. If you do not want cookies to be saved on your hard drive, change the settings of your browser.