Vivaldi: Concerti (online)

Sunday, April 18, 2021, 6:00 PM

  • Sunday, April 18, 2021, 6:00 PM
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It is said that Vivaldi composed the same concert 500 times. We’ve decided to check it out and we are playing cello, bassoon and violin concertos, as well as concertos on various cast and – to add some contrast – two sinfonias “Al Santo Sepolcro”. (…)
The concerts are virtuosity, energy, rhythm, melodiousness. We can play them endlessly even if the oeuvre of the Red Priest is full of repetitions and quotes from himself.
All the stars look similar while looking from the Earth. Let’s experience Vivaldi concertos at close range together. (Marcin Świątkiewicz)

Antonio Vivaldi:
Sinfonia in E flat major “Al Santo Sepolcro” RV 130
Cello Concerto in G minor RV 416
Sinfonia in B minor “Al Santo Sepolcro” RV 169
Bassoon Concerto in C major RV 477
Concerto in D minor for two violins and cello RV 565
Concerto in G minor for cello and bassoon RV 531

Capella Cracoviensis on period instruments:
Agnieszka Świątkowska, Jadwiga Czepielowska, Maciej Czepielowski –violin I
Seojin Kim, Beata Nawrocka, Tomasz Góra – violin II
Mariusz Grochowski, Jacek Dumanowski – viola
Tomasz Pokrzywiński (solo), Konrad Górka – cello
Krzysztof Firlus – double bass
Tomasz Wesołowski – bassoon
Marcin Świątkiewicz – harpsichord & conductor

The concert held on Capella Cracoviensis Facebook fan page.

Other: free admission, acceptable for people with disabilities

The Juliusz Słowacki Theatre

pl. Świętego Ducha 1

One of the most famous and most recognised Polish stages, it has operated continuously since 1893. The building of the Juliusz Słowacki Theatre is counted among the most precious examples of theatre architecture in Europe.

The building was erected in 1891–93 and it replaced the demolished church and monastery of the Holy Spirit. This resulted in quite an uproar among Kraków historians, conservationists, and artists: as a sign of protest, the painter Jan Matejko, who fervently fought to have the medieval architecture remain, gave up his title of honorary citizen of the city.

The new building of the Municipal Theatre designed by Jan Zawiejski was the largest architectural investment in 19th century Kraków, and – which is notable in itself – the first building in the city to receive electric lighting. Built in the eclectic style, it is dominated by neo-Renaissance and neo-baroque elements. In 1901, it was here that Stanisław Wyspiański’s seminal play about the predicament of partitioned Poland Wesele / The Wedding premiered in 1901.

Originally, the Municipal Theatre was to be named after Poland’s most celebrated writer of comedies, Count Aleksander Fredro, as attested by his bust standing before the main entrance, yet eventually it was named after Juliusz Słowacki in 1909, on the centenary of the birth of the Polish poet prophet.

The first presentation of the cinematograph in Poland was held on 14 November 1896 in what at the time was the Municipal Theatre. The invention of the Lumière brothers was used for screening a set of 12 films. Projections were held before the evening performance and enjoyed great popularity. At least 10,000 people saw them in the two following months, which means they attracted more or less every eighth resident of the city.

The contemporary Juliusz Słowacki also operates on the Miniatura Stage active in the former building of the theatre’s power plant since 1976, the modern Małopolska Garden of Arts on Rajska Street, House of Theatrical Crafts.

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