My Brilliant Friend

Sunday, March 30, 2025, 6:00 PM

  • Sunday, March 30, 2025, 6:00 PM
  • Tuesday, April 1, 2025, 6:00 PM
  • Wednesday, April 2, 2025, 6:00 PM
  • Saturday, May 10, 2025, 6:00 PM
  • Sunday, May 11, 2025, 6:00 PM
  • Tuesday, February 18, 2025, 6:00 PM
  • Wednesday, February 19, 2025, 6:00 PM
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7.02 the play will be performed with English surtitles.

The performance is based on the famous novel by Elena Ferrante.

In the sensitive story of the friendship between Elena and Lila, Ferrante describes the nature of femininity in a scrupulous and intimate manner, and in particular, the phenomenon of a feminine sensibility. The one associated with intuition and emotion, and most often deprecated. In “My Brilliant Friend”, the feminine sensibility is also a ripening consciousness of the social processes taking place in the main protagonists’ surroundings. The two friends, Elena and Lila, could not be more different. One is an introvert and a conformist who sets goals; the other is seductive, proud, and unpredictable. They are growing up in a poor neighbourhood in Naples in the 1950s. While Elena has access to an education, Lila has to decide whether to get married at a young age. For all their lives, both try to reject the place they came from, they don’t want to live like their mothers, aunts, and cousins. They take extremely different strategies to climb the social ladder. Can poverty be left behind? Things are inscribed in the history of the shaping of European society seen through the eyes of Elena and Lila. Sentimental things like discarded dolls, borrowed books, and blue bookmarks, and things that promise a new and better life: a washing machine, television, and Cerullo shoes. The trendy shoes are meant to fulfill the capitalist dream of great opportunities for everyone. Can Elena and Lila protect themselves and others from suffering with their unique sensibilities, nurtured through friendship? And what about the men, who have easily found their way for years in this violent world? Might they get second chances through Elena and Lila’s story?

Elena Ferrante has inspired me to speak not only of the emancipation of women in a world dominated by men, but also to make a personal effort to see how feminine intelligence/ intuition can cope in today’s Europe, so full of contrasts and social injustices – said spectacle's director Ewelina Marciniak.

Cast:

  • Juliusz Chrząstowski
  • Krystian Durman
  • Ewa Kaim
  • Michał Majnicz
  • Adam Nawojczyk
  • Aleksandra Nowosadko
  • Anna Paruszyńska - Czacka
  • Karolina Staniec (a guest actress)
  • Łukasz Stawarczyk
  • Małgorzata Zawadzka
  • Live music:
  • Wacław Zimpel

Creators:

  • Ewelina Marciniak Director
  • Małgorzata Czerwień Screenplay and dramaturgy
  • Natalia Mleczak Scenography and costumes
  • Wacław Zimpel Music
  • Szymon Kluz Light Direction
  • Ramona Nagabczyńska Choreography
  • Katarzyna Gaweł Stage manager / Prompter
  • Lucyna Rodziewicz-Doktór, Alina Pawłowska-Zampino Translation
  • Małgorzata Czerwień, Katarzyna Gaweł Assistant directors

Stary National Theatre – Chamber Stage

ul. Starowiślna 21

In 1954 Stary National Theatre acquired a Chamber Stage located on Starowislna Street, in a venue that had been home to the Teatr Poezji (Theatre of Poetry).

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