Capella Cracoviensis: 6 Weeks

Thursday, August 29, 2024, 7:30 PM

  • Thursday, August 29, 2024, 7:30 PM
  • Thursday, September 5, 2024, 7:30 PM
  • Thursday, September 12, 2024, 7:30 PM
  • Thursday, September 19, 2024, 7:30 PM
  • Thursday, September 26, 2024, 7:30 PM
  • Thursday, October 3, 2024, 7:30 PM
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During the 6 Weeks cycle on six consecutive Thursdays at St Catherine’s Church, we will hear Capella Cracoviensis’ artists and ensembles in programmes focusing on various aspects of sacral music, from Renaissance polyphony to contemporary composers, from works for recorder solo to Bach’s cantatas.

29 August 2024, 7:30pm
6 Weeks | polyphony | Hollingwort
Orazio Benevoli:
Missa Benevola
Missa Angelus Domini

***
Magdalena Łukawska Lidia Sosnowska Antonina Ruda Sarah Keating soprano
Ilona Szczepańska Yana Hurtova Matylda Staśto-Kotuła Eleanor Stamp alto
Bartosz Gorzkowski Szczepan Kosior Piotr Szewczyk James Botcher tenor
Marek Opaska Przemysław Józef Bałka Sebastian Szumski Thomas Lowen bass
Maurycy Raczyński organ
Robert Hollingworth conductor

5 September 2024, 7:30pm
6 Weeks | carte blanche | Krzysztof Firlus solo
Johann Kuhnau Musicalische Vorstellung einiger biblischer Historien
***
Anna Firlus harpsichord
Krzysztof Firlus viola da gamba

12 September 2024, 7:30pm
6 Weeks | carte blanche | Katarzyna Czubek solo
Jacob van Eyck Psalm 9 (Der Fluyten Lust-hof)
Johann Sebastian Bach Partita in A minor BWV 1013
Jacob van Eyck Psalm 1 (Der Fluyten Lust-hof)
Mikołaj Gomółka Siedząc po niskich brzegach babilońskiej wody (arrangement of the psalm Katarzyna Czubek)
Jacob van Eyck Psalm 133 (Der Fluyten Lust-hof)
Mikołaj Gomółka Boże, czemuś mnie opuścił (arrangement of the psalm Katarzyna Czubek)

***
Katarzyna Czubek recorders

19 September 2024, 7:30pm
6 Weeks | polyphony | Park
Thomas Tallis O nata lux
Robert White Christe qui lux es et dies

William Byrd Ave verum corpus
Henry Purcell Hear my prayer, O Lord
Henryk Mikołaj Górecki Z pieśni kościelnych (Veni, O mater terrae, O mater semper alma)
Gustav Holst Ave Maria
Antoine Brumel Sub tuum praesidium
Jacob Obrecht Parce Domine
Carlo Gesualdo da Venosa Tenebrae Responsoria (Tristis est anima mea, Tenebrae factae sunt, O vos omnes)
Felice Anerio Christus factus est
Kerensa Briggs Media vita
Owain Park For the Fallen
Sarah MacDonald Crux Fidelis
***
Joanna Zaucha Michalina Bienkiewicz Lidia Sosnowska NN soprano
Łukasz Dulewicz Yana Hurtova Klaudyna Nitkiewicz Zuzanna Kozłowska alto
Szczepan Kosior Piotr Windak Dominik Czernik Bartosz Gorzkowski tenor
Przemysław Józef Bałka Marek Opaska Adam Radnicki Sebastian Szumski bass
Owain Park conductor

26 September 2024, 7:30pm
6 Weeks | concerto da chiesa | Toporowski
Johann Sebastian Bach:
Nun komm, der Heiden Heiland BWV 61
Schau, Lieber Gott, wie meine Feind BWV 153
***
Agnieszka Świątkowska Seojin Kim violin
Jacek Dumanowski Mariusz Grochowski viola
Konrad Górka cello
Antonina Ruda soprano
Matylda Staśto-Kotuła alto
Piotr Szewczyk tenor
Sebastian Szumski bass
Marek Toporowski harpsichord / organ / conductor

3 October 2024, 7:30pm
6 Weeks | concerto da chiesa | Świątkiewicz
Biagio Marini Lacrime di Davide

***
Katarzyna Olszewska Zofia Wojniakiewicz violin
Marian Magiera cornett
Tomasz Wesołowski dulcian
Antonina Ruda soprano
Matylda Staśto-Kotuła Łukasz Dulewicz alto
Bartosz Gorzkowski Piotr Szewczyk tenor
Marek Opaska bass
Marcin Świątkiewicz organ / conductor

Church of St Catherine and St Margaret

ul. Augustiańska 7

Here, local history is perfectly intertwined with that of the nation: its heyday and tragedies, highs and lows. From its earliest days – intermittently, though – St Catherine’s Church has been in the care of the Augustinian Order.

The church owes its origin to fairly dramatic circumstances, a tale that includes lechery, crime, a curse, and royal penance. The soft spot King Casimir the Great (Kazimierz Wielki) had for the fairer sex was denounced by the Bishop of Kraków, Jan Bodzanta, who sent his envoy in the person of the cathedral vicar, Marcin Baryczka to admonish the king about the matter. The enraged monarch had the messenger drowned in an ice-hole in the Vistula. Repenting his deed, the king later turned to Pope Clement VI to lift the anathema. The Holy Father absolved him and ordered an appropriate penance: the construction of a number of churches, including that of St Catherine and St Margaret in Kraków in the place where the body of the drowned priest surfaced. This is how the bishop’s curse indirectly contributed not only to Kraków but also to Polish sacred architecture.

The King entrusted the construction of the Gothic church (around 1343) to the Augustinian Order, which has retained custody of the building to this day. Although the construction was never finished (originally, the edifice was to be 12.5 m (41 ft) longer, the planned towers were never fully built, nor has the façade been finished), earthquakes destroyed, among others, the roof and ceiling of the chancel, and floods and fires raged in the church, it has retained its magnificent Gothic character. Adjacent to the south is a porch and the Chapel of St Monica (mother of St Augustine) in what was to be the ground floor of one of the towers, doubling as a place of prayer of the Augustinian nuns from the convent on the other side of Skałeczna Street. The covered walkway that connects the two structures provides a characteristically picturesque accent.

The process of restoring the church, terminated after the third partition of Poland and designed among others for military storehouses, began in the mid-19th century, and – with only short breaks – continues into our times.

Linked to St Catherine’s is the story of a Kraków monk, Isaiah (Izajasz) Boner. Allegedly, the power of this servant of God (the process of his beatification is still far from completed) is capable of unmasking women of easy virtue. For it so happened that when the “shameless wenches” visiting the grave of Isaiah stood on the slab of his grave, a tremor ran through it, which is how the saint disclosed their profession.

In our times, members of the congregation visiting the church on the 22nd day of each month are often seen carrying a rose that they lay down by the sculpture and relics of St Rita, the patron saint of hopeless cases, for whom a rose would always blossom (even in winter) in the garden of the Convent of the Augustinian Nuns in Cascia, bringing relief from suffering and illness.

Be sure to see:

  • late-renaissance tomb of Spytek Jordan in southern aisle
  • spacious cloisters with 15th and 16th-century paintings and epitaphs
  • Our Lady of Consolation, a 16th century mural, one of Poland’s oldest miraculous images of the Blessed Virgin (the chapel in the cloister)

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