Capella Cracoviensis: Kraków 6 Weeks

Thursday, September 11, 2025, 7:30 PM

  • Thursday, September 11, 2025, 7:30 PM
  • Thursday, September 18, 2025, 7:30 PM
  • Thursday, September 25, 2025, 7:30 PM
  • Thursday, October 2, 2025, 7:30 PM
  • Thursday, October 9, 2025, 7:30 PM
  • Thursday, October 16, 2025, 7:30 PM
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‘Spatial music that combines sound and architecture to achieve an extraordinary result’, that is how the organisers of the Kraków 6 Weeks series describe their creation. In line with this announcements, the six Thursday meetings at St Catherine’s Church (starting on 11.09) organised by Capella Cracoviensis and the invited guests, will feature a repertoire perfectly tailored to the sacred space of the temple. The attendees will listen to the Baroque arrangements of the Salve Regina antiphon (Vivaldi, Pergolesi) with countertenor Rafał Tomkiewicz as soloist, Buxtehude’s Membra Jesu nostri cantatas, Monteverdi’s famous Vespers, in which the Capella will be accompanied by an ensemble of historical wind instruments of the Oltremontano ensemble and its leader Wim Becu, as well as compositions by not-that-familiar Italian composers: Cima, Ardemania, Pellegrini (Concerti ecclesiastici with the recorder virtuoso Katarzyna Czubek) and the cantatas: Abendmusik with music by Buxtehude, alongside Bach, Wechmann and Tunder, presented as part of the Stylus phantasticus programme, the title of which was not chosen randomly.

11 September 2025, 7:30pm
Rafał Tomkiewicz
countertenor
Capella Cracoviensis on period instruments
Antonio Vivaldi Salve Regina
Giovanni Battista Pergolesi Salve Regina

18 September 2025, 7:30pm
Capella Cracoviensis
choir and orchestra on period instruments
Seojin Kim violin/concertmaster
Dietrich Buxtehude Membra Jesu nostri

25 September 2025, 7:30pm
Capella Cracoviensis
choir and orchestra on period instruments
Oltremontano
Wim Becu conductor
Claudio Monteverdi Vespro della Beata Vergine

2 October 2025, 7:30pm
Concerti ecclesiastici

Capella Cracoviensis choir and orchestra on period instruments
Katarzyna Czubek artistic direction
In programme: Giovanni Paolo Cima, Giulio Cesare Ardemanio, Domenico Pellegrini

9 October 2025, 7:30pm
Abendmusik
Capella Cracoviensis
choir and orchestra on period instruments
Katarzyna Anna Olszewska violin/concertmaster
Dietrich Buxtehude – cantatas

16 October 2025, 7:30pm
Stylus phantasticus
Capella Cracoviensis
choir and orchestra on period instruments
Klaudia Łoboda harpsichord/ artistic direction
Johann Sebastian Bach, Matthias Weckmann, Franz Tunder – cantatas

Church of St Catherine and St Margaret

ul. Augustiańska 7

Here, local history is perfectly intertwined with that of the nation: its heyday and tragedies, highs and lows. From its earliest days – intermittently, though – St Catherine’s Church has been in the care of the Augustinian Order.

The church owes its origin to fairly dramatic circumstances, a tale that includes lechery, crime, a curse, and royal penance. The soft spot King Casimir the Great (Kazimierz Wielki) had for the fairer sex was denounced by the Bishop of Kraków, Jan Bodzanta, who sent his envoy in the person of the cathedral vicar, Marcin Baryczka to admonish the king about the matter. The enraged monarch had the messenger drowned in an ice-hole in the Vistula. Repenting his deed, the king later turned to Pope Clement VI to lift the anathema. The Holy Father absolved him and ordered an appropriate penance: the construction of a number of churches, including that of St Catherine and St Margaret in Kraków in the place where the body of the drowned priest surfaced. This is how the bishop’s curse indirectly contributed not only to Kraków but also to Polish sacred architecture.

The King entrusted the construction of the Gothic church (around 1343) to the Augustinian Order, which has retained custody of the building to this day. Although the construction was never finished (originally, the edifice was to be 12.5 m (41 ft) longer, the planned towers were never fully built, nor has the façade been finished), earthquakes destroyed, among others, the roof and ceiling of the chancel, and floods and fires raged in the church, it has retained its magnificent Gothic character. Adjacent to the south is a porch and the Chapel of St Monica (mother of St Augustine) in what was to be the ground floor of one of the towers, doubling as a place of prayer of the Augustinian nuns from the convent on the other side of Skałeczna Street. The covered walkway that connects the two structures provides a characteristically picturesque accent.

The process of restoring the church, terminated after the third partition of Poland and designed among others for military storehouses, began in the mid-19th century, and – with only short breaks – continues into our times.

Linked to St Catherine’s is the story of a Kraków monk, Isaiah (Izajasz) Boner. Allegedly, the power of this servant of God (the process of his beatification is still far from completed) is capable of unmasking women of easy virtue. For it so happened that when the “shameless wenches” visiting the grave of Isaiah stood on the slab of his grave, a tremor ran through it, which is how the saint disclosed their profession.

In our times, members of the congregation visiting the church on the 22nd day of each month are often seen carrying a rose that they lay down by the sculpture and relics of St Rita, the patron saint of hopeless cases, for whom a rose would always blossom (even in winter) in the garden of the Convent of the Augustinian Nuns in Cascia, bringing relief from suffering and illness.

Be sure to see:

  • late-renaissance tomb of Spytek Jordan in southern aisle
  • spacious cloisters with 15th and 16th-century paintings and epitaphs
  • Our Lady of Consolation, a 16th century mural, one of Poland’s oldest miraculous images of the Blessed Virgin (the chapel in the cloister)

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