Spółdzielnia Muzyczna: Interactions (2026)
Thursday, May 21, 2026, 7:00 PM
One word: Complex. Also inaccessible, elitist and hard to understand. And that is not all that can be said. What about a different point of view? How about getting intrigued, learning more, understanding and... liking it? This idea led Spółdzielnia Muzyczna, an ensemble balancing between the 20th-century classics and audio experiments, has prepared the Interakcje (Interactions) series - a way to enter the seemingly alien world of new music. “During our Interactions, we freely explore the territories of 20th-century music, break free from its traditional understanding, delve into electronic and ambient sounds, confront textual and visual materials and search for new identities in the chaotic present,” claim the artists.
- Interactions #2 29 March, 7pm (Radio Kraków Studio)
Mikel Urquiza Ars Memoriae
Minas Borboudakis Photonic Constructions
Nikolet Burzyńska – new work
- Interactions #3 19 April, 5pm (MOCAK)
Wojtek Blecharz – Field 7. Delta (2021)
Spółdzielnia Muzyczna Contemporary Ensemble:
Małgorzata Mikulska – flutes
Tomasz Sowa – clarinets
Aleksandra Krzak – bassoon
Krzysztof Guńka – saxophone
Michał Bylica – trumpet
Barbara Mglej – violin
Paulina Woś – violin
Jakub Gucik – cello
Aleksander Wnuk – percussion
Aleksandra Płaczek – keyboards
- Interactions #4 21 May, 7pm (KTO Theatre)
Yue Song – Big Data (2025 – Polish premiere)
Barbara Zach – Conocybe filaris (2025)
Żaneta Rydzewska – eco stories (2025 – Polish premiere)
Spółdzielnia Muzyczna Contemporary Ensemble:
Małgorzata Mikulska – flutes
Tomasz Sowa – clarinets
Krzysztof Guńka – saxophone
Paulina Woś – violin
Barbara Mglej – viola
Jakub Gucik – cello
Aleksander Wnuk – percussion
Aleksandra Płaczek – piano
Żaneta Rydzewska – elektronica
Barbara Zach– elektronica
KTO Theatre
ul. Zamoyskiego 50
The KTO Theatre formally follows the tradition of street theatre, which has let it develop a unique language of communication.
The KTO was started in 1977 by a group of students of the Jagiellonian University. In its pursuits, the theatre follows the tradition of street theatre, which has let it develop a unique language of communication, to a large extent based on the body and expression of the actor, and to a lesser degree on the spoken word. The KTO has participated in numerous prestigious festivals all over the world and in open air-events in France, Germany, and Norway. For many years, it has organised the ULICA International Street Theatre Festival.
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