3rd Tyniec Chamber Music Recitals
Sunday, July 19, 2026, 4:00 PM
This year’s Tyniec Chamber Recitals features five exceptional concerts featuring distinguished artists from the music scene, including the outstanding pianist Leonora Armellini, one of Poland’s most important jazz artists Aga Zaryan, as well as esteemed soloists and chamber ensembles associated with Polish and European musical life.
The 3rd Tyniec Chamber Recitals expand on the formula, combining various musical genres—from classical and chamber music to jazz—creating a cohesive yet diverse artistic program. This year’s edition pays particular attention to the presence of women in music, presenting outstanding performers and artists from the contemporary music scene.
Each concert forms a special musical encounter, set in the unique space of the Benedictine Abbey in Tyniec—a place where history and modernity entwine.
5 July 2026, 4pm
Leonora Armellini – piano
Fryderyk Chopin:
Polonaise in B flat major, Op. 71 No. 2
Scherzo in B minor, Op. 20
Lento con gran espressione, Op. posth.
Polonaise in F sharp minor, Op. 44
Waltzes, Op. 64
Scherzo in E major, Op. 54
19 July 2026, 4pm
Justyna Stanek – oboe
Monika Kruk – piano
Grażyna Bacewicz Sonatina for oboe and piano
Grażyna Bacewicz Sonata for oboe and piano
Antoni Szałowski Sonatina for oboe and piano
Witold Szalonek Pastorale for oboe and piano
Stefan Kisielewski Suita for oboe and piano
Józef Świder Andante for oboe and piano
2 August 2026, 4pm
Anna Maria Niemiec – cello
Piotr Kościk – piano
Mélanie Bonis Sérénade
Mélanie Bonis Méditation
Robert Schumann Fünf Stücke im Volkston, Op. 102
Clara Schumann Three Romances, Op. 22
Fryderyk Chopin Introduction and Polonaise brillante in C major, Op. 3
16 August 2026, 4pm
Aga Zaryan – vocal
Szymon Mika – guitar
In programme: songs inspired by the oeuvre and sensitivity of women close to Aga Zaryan’s heart
30 August 2026, 4pm
Duo Świgut:
Agnieszka Świgut – violin
Aleksandra Świgut – piano
Karol Szymanowski Raxana’s Song from the opera King Roger (arr. P. Kochański)
Miłosz Magin Andante for violin and piano
Henryk Wieniawski Mazurka, Op. 19 No. 1
Jean Sibelius Mazurka, Op. 81 No. 1
Grażyna Bacewicz Sonata No. 2 for piano
Christoph Willibald Gluck Dance of the Blessed Spirits from the opera Orfeo ed Euridice
Alfred Schnittke Polka from the opera Gogol
Karol Szymanowski Zarzyjze, kuniu, Kurpie Songs
Henryk Wieniawski Polonaise in D major, Op. 4
Benedictine Abbey in Tyniec
ul. Benedyktyńska 37
Tyniec used to be a day’s journey from Kraków, today we reach it in less than an hour on a bus or on a bike, taking a beautiful cycle path. The charm and tranquillity of the place attract throngs of tourists and pilgrims alike. Amidst this silence and reflective prayer, the monks follow the motto of St Benedict: ora et labora…
Situated on a limestone promontory, the monastery looks more like a mediaeval fortress than a church. Little wonder: right from the start, the Benedictine Abbey in Tyniec doubled as a fortress. It is highly likely that the area was inhabited by the Celts a thousand years before the Order of St Benedict arrived in the place. The first monks came here in the mid-11th century. Tyniec enjoyed plenty of favours from local rulers, many of whom were kings of Poland, and there are many arguments to support the claim that it was a medieval economic power. One of them is the nickname given to the abbot: “the abbot of a hundred villages”.
Although the church received stout fortifications in the 13th century, they could not save it from destruction: it was burnt down when the Tatars invaded the Polish lands. Its heyday came in the 15th and 16th centuries. In later years, the monastery was thoroughly rebuilt, and had the characteristic façade with two towers added. In 1816, that is during the era when Poland was partitioned, the Austrians dissolved the Order, and the Benedictines were forced to leave the Abbey. From that time on Tyniec changed hands many times, falling more and more into ruin. No one seemed to care for its fate until the Archbishop of Kraków, Prince Adam Stefan Sapieha, brought back the Benedictine Order from Belgium in 1939. One final time when the abbey acted as a fortress was in 1945, when much like in Monte Cassino, in southern Italy, which was defended by German forces against the Allies, the monastery likewise was held against the Red Army.
The only road into the Abbey leads through “the castle”, that is the 16th-century building of the abbot’s quarters. In the spacious courtyard behind it, the bygone abbots used to welcome eminent guests. The monastic complex includes a library that until the restoration completed in 2008 used to be known as the Great Ruin. Today it houses the Benedictine Institute of Culture. In its exhibition space, you can admire historical artefacts: fragments of Romanesque and Gothic stonework, and elements of the arcades of the original cloister. The Church of St Peter and St Paul situated within the monastery is a three-aisled basilica with baroque furnishing. Entering, spare a moment to look at the elaborate iron latch in the shape of a fish: one of the symbols of Christ.
St Peter and St Paul’s Church:
- gothic chancel,
- rococo high altar of black marble,
- baroque pulpit in the shape of a boat,
- 16-century murals presenting The Magi.
Recommended
31st Summer Jazz Festival Kraków
Saturday, June 27, 2026 - Monday, August 31, 2026
Anna Skrzypek. Transparencies
Friday, July 3, 2026, 5:00 PM - Thursday, August 20, 2026
14th Music Festival Emanacje
Saturday, July 4, 2026 - Saturday, August 29, 2026
Eric Johnson: Texaphonic at Hype Park
Tuesday, July 14, 2026, 7:30 PM








